At the time, many vision scientists still thought that depth perception occurred in the eye itself, whereas now it is known to be a complex neurological process. In 1959, Bela Julesz, a vision scientist, psychologist and MacArthur Fellow, invented the random dot stereogram while working at Bell Laboratories on recognizing camouflaged objects from aerial pictures taken by spy planes. In 1939 Boris Kompaneysky published the first random dot stereogram containing an image of the face of Venus, intended to be viewed with a device. Dove described "cross-eyed viewing as a stereoscope" with a standard pair of stereoscopic images. This is the basis of wallpaper-style "autostereograms" (also known as single-image stereograms). He noticed that staring at repeated patterns in wallpapers could trick the brain into matching pairs of them as coming from the same virtual object on a virtual plane behind the walls. īrewster also discovered the "wallpaper effect".
īetween 18, David Brewster, a Scottish scientist, improved the Wheatstone stereoscope by using lenses instead of mirrors, thus reducing the size of the device. When people looked at these flat, two-dimensional pictures, they experienced the illusion of three-dimensional depth. He supported his explanation by showing pictures with such horizontal differences, stereograms, separately to the left and right eyes through a stereoscope he invented based on mirrors. In 1838, the British scientist Charles Wheatstone published an explanation of stereopsis (binocular depth perception) arising from differences in the horizontal positions of images in the two eyes. An image designed for wall-eyed viewing if viewed correctly will appear to pop out of the background, while if viewed cross-eyed it will instead appear as a cut-out behind the background and may be difficult to bring entirely into focus. Wall-eyed viewing requires that the two eyes adopt a relatively parallel angle, while cross-eyed viewing requires a relatively convergent angle. Most autostereograms (including those in this article) are designed to be viewed in only one way, which is usually wall-eyed. There are two ways an autostereogram can be viewed: wall-eyed and cross-eyed. When viewed with the proper vergence, an autostereogram does the same, the binocular disparity existing in adjacent parts of the repeating 2D patterns. A stereoscope presents 2D images of the same object from slightly different angles to the left eye and the right eye, allowing us to reconstruct the original object via binocular disparity. A hidden 3D scene emerges when the image is viewed with the correct convergence.Īutostereograms are similar to normal stereograms except they are viewed without a stereoscope.
In this type of autostereogram, every pixel in the image is computed from a pattern strip and a depth map. One such autostereogram is illustrated above right. The well-known Magic Eye books feature another type of autostereogram called a random dot autostereogram. When viewed with proper convergence, the repeating patterns appear to float above or below the background. The simplest type of autostereogram consists of horizontally repeating patterns (often separate images) and is known as a wallpaper autostereogram. The illusion is one of depth perception and involves stereopsis: depth perception arising from the different perspective each eye has of a three-dimensional scene, called binocular parallax. In order to perceive 3D shapes in these autostereograms, one must overcome the normally automatic coordination between accommodation (focus) and horizontal vergence (angle of one's eyes).
The top and bottom images produce a dent or projection depending on whether viewed with cross- ( ) or wall- ( ) eyed vergence.Īn autostereogram is a single-image stereogram (SIS), designed to create the visual illusion of a three- dimensional ( 3D) scene from a two-dimensional image.